A Portrait of Cannonball with Tony Kofi
A retrospective live show brought to you by Cafe Society Swing's Alex Webb of Julian Edwin "Cannonball" Adderley - jazz alto saxophonist of the hard bop era of the 1950s and 1960s, featuring award winning saxophonist Tony Kofi, trumpeter Byron Wallen, and vocalist Deelee Dubé and an all star band. Alex Webb's shows are always a stunning and popular event at Hideaway, so book early!
‘A Portrait of Cannonball’ Alto-sax master Tony Kofi fronts this loving celebration of the jazz giant (in every sense) Julian ‘Cannonball’ Adderley. With Byron Wallen on cornet, Alex Webb (piano), Daniel Casemir (bass) and Alfonso Vitale (drums) the group traces the explosive music of Cannonball from his first session as leader in 1955 through work with Miles Davis to the soul-jazz of the late 1960s. Expect Adderley brothers classics like Things Are Getting Better, This Here, Del Sasser, Dat Dere, Sack o’Woe and Mercy, Mercy, Mercy - as well as a guest vocal spot by Deelee Dubé exploring the memorable 1961 collaboration with Nancy Wilson. In 2016 Dubé was the first British winner of the prestigious Sarah Vaughan Vocal Award.
Tony Kofi is a British jazz multi-instrumentalist, a player of the alto saxophone, baritone saxophone, soprano saxophone and flute. He currently leads his own Tony Kofi Quartet, Tony Kofi Trio, and is also the co-founder of the Monk Liberation Band—a group which plays the music of Thelonious Monk. His trio consists of himself, drummer Winston Clifford, and Hammond B3 organist Anders Olinder. John L. Walters wrote for The Guardian that "...Kofi's musicians make a fiery, multi-layered noise, but they know when to bring it down to a whisper, such is the ingenuity of their arrangements." Kofi is signed to the Specific Jazz label, which showcases much of Britain's up-and-coming new talent.
Winner of the 2016 Sarah Vaughan International Jazz Vocal Competition, Deelee Dubé (pronounced Doo-bay, accented “é”) is a one of the most gifted vocalists to have emerged from the London scene in many years. Embodying a stellar African musical lineage, the eclectic tastes of a London upbringing and a deep love and respect for the jazz tradition, Deelee possesses what Jazz Times called ‘a warm tone, genuine blues feeling and easy rhythmic authority.’